The Bales just loved the Maple/Padauk. My Stelling took on a whole new identity after putting this bridge on. The craftsmanship appears top-notch. If you are looking for a bridge to help you attain the old banjo sound or "prewar sound," Snuffy's Style III bridge will help get you there. It is hand signed by Bart and is marked on the bottom of the feet for proper orientation. Virgil was fast and responsive and the the bridge was very well packed. I recently bought a 5/8" heavy solid foot bridge from Greg at Buckeye Banjos. It is a full, rich, pretty sound. Defeated, the Babadook then collapses in front of her, revealed to be nothing but a hat and trenchcoat. When I put on the capo, it doesn't go out of tune. When I was looking for a banjo bridge I had a very specific set of requirements in mind. When I received Mike's bridge I immediately noticed a difference (and yeah, it was THAT noticeable, which surprised me.) The other two gave my banjo a more blue grass sound, one more than the other. Where Purchased: Tim Purcell. Jim. I contacted Steve and he sent one of his compensated bridges out for me to try. Update: Still using this Bridge. And Gary shipped it lightning fast! That should tell you a lot about it - tinny, kind of harsh, very bright. I am using this bridge for CH, and was looking to hasten the note decay on a banjo that despite having a wooden tone ring just wouldn't stop. I am really pleased with the bridge. Best bridge by far I've ever used. This bridge make BEEFUS' banjo blow down th walls! The Tone has improved greatly. bridgesshipped fastidenticalsize and highest qualityperfect for my nylon stringsI would buy again in a heartbeat. I'm hoping to get a few more. Well made. I am always looking for positive changes in the tonality spectrum. This is the second of two greatbridges I've ordered from Bart: I chose the Dark Star on Mr. Veerman's advice for my 2011 Huber Berkshire. Links are provided for reference only and MyLife.com does not imply any connection or relationship between MyLife.com and these companies. After breaking in the strings for a while, I replaced the old Gover with the new Kat Eyz. Well on the second bridge I made things right and Tim sent me another bridge. HIghly recommend you give him a try. I believe Eric at Sullivan has another solid product to add to the Sullivan name! They all seem to like that. They should be $100 for the time and craftsmanship that goes into these bridges. I have two of Tim's bridges. Just more solid all around and much more pleasing to (my) ear.Mike told me to try out the bridge for a week or so before committing to it, but I can honestly say I am sold already after a day of playing. I recently replaced it with a 9/16" Snuffy Smith New Generation and am not only super pleased with the banjo's action, but also with the tonal quality now of the instrument. Tim's customer service couldn' be better.He gave me some very usefull advices on setup. Wonderful sound. I do not think I have ever played better..even my fellow band members noticed increased dynamics, volume and clarity.I ordered another Red Maple Purcell bridge as a spare and have the Submerged Birch Bridge as a back-up, Also. Good workmanship. I recently tried Scorpion Bridges on my flathead 3 and flathead 12. Barts bridge prices fall nicely in the median between cheap and boutique options, but he sets himself apart by offering such detailed customization and having a knack for pairing his bridges to the banjo you describe. Mini Bio (1) Tim Purcell is known for The Babadook (2014) and Death in Bloom (2015). To our delight, they were happy to have Chase try out for F and F. What a joke. I wanted to try a .656 bridge on my GoldstarGF-85(with Blaylockring) and 11/16 bridge on my parts banjo (RK rim with Kulesh ring). David contacted me before he began to work to make sure he knew what I was after. The more I thought about it I began to realize that this might be my chance to put together that strong vocal ensemble I had always dreamed of. This is to get tonal memories implanted in my dulling brain! I recieved it this last week and finally had a chance to try it and thought I'd let ya know what I think. The banjo sounds about 40% louder and has a lot of punch and clarity. It says a lot about the quality of the bridge. The volume is perfect for me,no over ring any where on the neck.and, all the strings blend perfect.The 4th string has that special growl that everyone seeks,but doesn't stand out over the sound from the other four strings.Try one of these bridges and you will be very pleased and very surprised ! I wasn't sure what to expect out of Locust, but what I got was something new almost haunting in G minor tuning. Thanks Bart! I'm a believer in the idea that there is a perfect bridge out there for every banjo, and i believe that I have found that for my 1929 Style 4 mastertone. 3. The tone is certainly rich; at proper head tensions on tone ring banjos (G - A tapped), the bridge delivers a surprising amount of bass response for how thin it is - but it does not loose volume or musicality. I am new to playing the banjo, and come from the guitar world, so my knowledge of the banjo and experience is limited, so take my review with a grain of salt, but hopefully someone can get something from my review.I custom ordered a bridge from Mike for a recently acquired Recording King RK-87. I bought the three pack. Well, I put on the bridge, intonated the instrument and was laying down tracks within minutes. He even tweaked the string spacing for me, as the stock bridge had the strings a little too close together for me. Having inherited great taste in music from her dad (me), she, of course, loved it. Try them for yourself and hear the difference. I have a Snuffy Smith on my Goldstar and was satisfied with it but have read good things about Sosebee's bridges so I thought I would give one a try. So I put on a fresh set of American Made Banjo cryo strings with the el cheapo Grover bridge I'd had on this Mutt for years, thinking it deserved no better. I like his design very much. Definitely worth a try. I was lucky enough to win the 2014 Camo Frog bridge from Generous Virgil Lawson from Tazewell, Tn. My Stealth now projects and the single string work I like to do sounds much better and the sustain I get for slow things is very much improved now. I HIGHLY suggest these for your banjo and Arnold is one cool guy !!! Really nice guy to do business with. It reminded me of espresso, bold dark, resonant, yet with clarity and the right "ghosts" (my term) up the neck. The quality and care he puts into his work is absolutely noticeable. As Amelia faces the fiend, she has a vision of her late husband, whose death she has been in denial about ever since Samuel was born. I ended up with 2 bridges from David (.656"), and the zebrawood/kataloxbridge had a beautiful effect on the banjo. Check Full Reputation Profile Reviews help The arc seems to be the same as the Moon, so it is slightly less compensated than the Grover. Thought I'd give the Sosebee Submerged wood banjo bridge a try. View court, arrest, criminal/conviction The bridge cost me around $25. What Don said about improving cheaper banjos is definitely true. I am very impressed with the product and with Dave. Strangely, the Fender factory is a close second, the difference being more in pronunciation way up the neck than in volume. I am looking for trades to share my library of Bridges, but no further experimentation on the Veerman, Dunno WHY these bridges work as they do, but I've tried them on ALL my open-back banjos (3 Chuck Lee tubaphones, a Vega Whyte Laydie, a Lo Gordon custom). I had another bridge already on which is very good! The old birch has even more bass. I dunno about BG usage but for open backs this bridge can't be beat. Thanks so much Gregg!! This is the best bridge I've tried. OMG. His extensive business experience brought new insight to the project we worked on, and his input was focused, strategic and important to delivering a much improved product. Where Purchased: Direct from Mike Smith in Dawson, Illinois. That's service you cannot beat with a stick! I managed to convince the Wife that I needed this RK-50 for dedicated up picking work, since no self respecting clawhammer banjo would permit bluegrassing up and down the neck. So that's what I got with Crowe spacing. First off, I haven't seen this good of workmanship on any other bridge, including mine. Sound wise I noticed a pretty significant increase in highs and a slight decrease in lows, with an overall boost in volume throughout. He is a writer and producer, known for Number 96 (1972), Murder: Ultimate Grounds for Divorce (1984) and Day Release (1997). One 11/16, and one .656. After putting the bridge on, I noticed an immediate improvement in tone, sustain, note separation and just "color" from the banjo. Tim Purcell bridges have that special something that seems to noticeablyimprove my playing ability. I guess another way to say it is that it is much less plunckier that the stock Deering bridge and slightly more brilliant than the Moon bridges I have on my stuff.It was a pretty impressive process with Mr. Veerman , at one point suggesting that I might not want to purchase his bridge if I could get my own to work by slanting it to flat the 4 and 5 string. Shipping was a flat,affordable rate. I was very happy with my Greg Deering bridge and didn't think it could get better. This maple-maple banjo peels paint off walls! I've rarely taken it off my banjo for more that a few minutes because I like the tone and volume so much. Beautiful looking bridge and well worked, but most importantly is that this bridge sounds great. I have alot of extra bridges now! Amelia tries to hide from the Babadook in her basement. Bought the 5/8" recommended by the guys at Elderly. I'm not sure if it was all the peg head or the shape of the Kat Eyz bridge that did it. I found that the Fielding bridge out performed all of them. They can make a big difference for a small cost. Once the strings were stretched in and settle, it really brought the bass and treble out of the 13" pot. Good note separation too. Find contact's direct phone number, email address, work history, and more. The next day, BAM! Fantastic product, unbelievable customer service, OUTSTANDING overall!!!! I ordered a 5/8" bridge with Crowe spacing and received it without incident a few weeks later. I've tried Nechville, Sosebee, Katzeye and a couple unmarked Grover type, but none really grabbed me so I thought I give one of Steve's a try. The tone was well-balanced and the banjo was slightly louder with very good note separation. So I decided to try the "Archie" bridge. If he makes this bridge look and sound like it does I can imagine how his banjos look!I fully recommend his bridges and he was a pleasure to deal with. Detective Purcell graduated from the 112th. I was a bit skeptical as to wether another bridge would actually make much difference but what a difference it did make!Brilliant. I trusted him on it, and Im glad I did. The mid-range comes through loud and sweet. Bart's mystery wood bridge "WOKE" this banjo up when 8-10 other professional bridges could not. ETimes is an Entertainment, TV & Lifestyle industry's promotional website and carries advertorials and native advertising. Ive used cheap Grover bridges and more expensive Moon bridges and some in between. Northern Spirit Radio, 2550 Gregerson Drive, Eau Claire, WI 54703. I have read with interest, many of the BHO entries about how a new bridge changes that person's banjo dramatically. For only $25, you can't go wrong. I ordered a Zebra Wood Katalox bridge from David. It took about a week to make it to Georgia. The other thing I like is I feel I have more control over the range of loudness and quietness with this bridge. So complete customization is only way to maximize the performance of the bridge/banjo/picker interaction. But there's some material I'm working on that I'd prefer with a slightly rounder tone. They've given any banjo I've put them on a full, balanced and harmonics rich tone. I really didnt anticipate that dividend. I got a heavy weight, 9/16 ths inch with Crowe spacing. Oh and I appreciate the warning that came in the package. This would be a way to tell if the peg head really made a difference. At John Balch's suggestion, I tried the Sosebee Bosnian Maple 11/16" bridge. This banjo always sounded good, now it sounds exceptional.The most amazing thing is how small these bridges are -- they are physically thinner and not as widespread as the typical bridge, but there is nothing small about the sound. It reduced the overly bright tone of my Fender banjo. I lowered my head tension from G#+ to G#, which improved the bass response and retained treble clarity. This bridge is fabulous in every way. There have been great things said about his bridges so I decided to add a few of them to my shop stock.Let me say first that the overall craftsmanship is first rate, from the look, cut of the wood and notches for the strings. In August, 2012, I decided I wanted to try something else, so I ordered and received one of Tim Purcell's "Old Piano Wood" bridges.After receiving the bridge from Tim and after switching back and forth between Tim's bridge and the Frank Neat a few times, I liked Tim's bridge better. However, I like a bright, biting sound with clear, deep tones and this one is a bit muted for my taste. It plays cleanly and in tune right to the 22nd fret in all positions and all strings. Just an all aluminum body to attach a head and resonator. I then put the bridge on the RK-75, which is the closest thing I have to a flathead Mastertone right now. I'm massively impressed by the note quality, the sustain remains fully in tune for the entire length of the note with no 'drop off' which is pretty amazing. It provides good not separation with just the right amount (for my taste) of sustain. A friend of mine recommended that I try a Purcell bridge, which led me to send Tim an email on a late Saturday night/early Sunday morning. The tone and volume with Dave's bridge is really loud and crisp. Easy enough: Ask Toby. I was currently swapping out between the factory bridge and another custom bridge.. It will enhance any well-constructed banjo by doing what it is supposed to while not interfering with your set-up, taste, or style. I have to say that the workmanship is the best that I have ever seen. BBB File Opened: 8/30/2010. This one was custom made by Virgil.The original was a Grover. This Kat Eyz bridge transformed it from a beater to a valued one of a kind instrument. After getting the intonation setup correct, I checked the fourth string with my auto tuner. After installing Randall's bridge I tuned it up a bit and the sound became a bit more crisper and added some more vibrations to the neck. My banjo still doesn't sound like a Deering Saratoga Star, but it sounds a whole lot better than it did. For players that need a wide range of "settings" and a have decently controlled touch, IMO this is the perfect bridge. I do not know how the holes in the bridge affect tone, but overall, I really love the bridge. Thank you for adding to my knowledge and appreciation for this group. A U.S. Army veteran, David holds a degree in Fine Art and Manufacturing Technology. I put a Kateyz Prowler on my Gibson Scruggs and got better sound than the original equipment - just a generic Gibson lightweight that actually had a slant toward the frets. Fet's16-22 on the 1st string produce fuller sound and less "plinky". - what a difference in volume and tone from the compensated Grover maple and ebony bridge I've been using. Comparison: Bridge prices vary widely, from $3.50 mass produced no-name products to $60 boutique handmade bridges. 2 DAYS!!! I wanted a bridge to do a specific thing for my banjo and I contacted Scott to tell him what I wanted. Saw Dave's shop. And the intonation was impossible to get right I tried several standard compensated bridges. I kept the Hatfield for another day. Usually there is at least one who leaves a negative comment. Not really enough to worry about. . The Banjo vibrates a lot and honestly I have put Tims bridge up against a VERY good bridge from another bridge specialist. Detective James "Tim" Purcell, was a 24 year Navy veteran and active member of Austin Police Department when he lost his valiant battle with cancer. Contribute to This Page. So I sent him payment for that bridge and returned the one that I was not going to use. Recommended. What if both were good singers? When I first put it on, I think I noticed a bit of loss on the bottom end, low on the 4. If you are considering a bridge upgrade you will not be disappointed. I just received a sycamore/rosewood bridge from Steve for a recently acquired Noel Booth open back banjo. Fantastic. I put it on my Deering Baucom banjo which is by his construction very resonant and dynamic. (if you get one ditch the guitar tuners and get some cheap planetary tuners) Anyway its a pretty cool little banjo but once I supercharged the Ibanez, I wasn't stopping!! David is an incredible guy to deal with and even sent a video of the bridge being made when I asked if he could snap a picture. Doc seems to be able to tailor each bridge to your style of playing and your hoped for improvement in sound. They beefed up the tone & volume and look TOTALLY PreWar !!! After sending Tim and inquiry about his brides, I immediately received a questionnaire that gave him the specifics I was looking for(height/string spacing/wood).My bridge arrived a few days later with the weight in grams listed on the underside of one of the feet along with height and string spacing.Very impressive. For my Goodtime Crow banjo, this is my second Tim Purcell banjo bridge that I have ordered from Tim after having such excellent results with the .656 bridge that he crafted for my Classic Goodtime scooped neck banjo. The conventional maple/ebony bridge that I had on it (also a fine bridge, but more suited to a Mastertone-type banjo) sounds muddy. It's subtle but very noticeable improvement over the previous bridge (Purcell piano wood, a very fine bridge as well!) Together with the string spacing, which Bart customized for me, this makes the bridge feel highly comfortable in playing. Gone was the harshness and tinniness that had always been the hallmark of this banjo. I contacted Bart about what bridge to pick for a nlygut strung semi-fretless Pisgah with a skin head - I could tell that the banjo was muted thanks to the ebony-topped bridge (which had worked fine for steel strings). Get one - you'll like it. But sometimes I forget to re-order them when I run out (as he well knows..lol). The tone has more clarity, pop and warmth with a quick note decay. Bart invited me to come visit him and try out a bunch of bridges for my 2013 Deering Calico. It also is an outstanding bridge. I was recently in the market for a tall bridge for my c1886 George C. Dobson banjo. It sounded excellent on about every banjo, imparting that dry old sound most Scruggs players desire.Then, I decided to put it on my prewar tenor flat head conversion 'jo. My newest banjo is a style 4 copy with a Hatfield customneck, Cox rim and hardware, Tenn. 20 ring, Steve Gill resonatorall mahogany. I have tried these against many bridges and these are absolutely the best. Rachels forays into musical theater, piano and singing had a big influence on Sammie. Got the 3 pack. If you are looking to get something more out of your banjo, drop him a note. I like little details such as that. I have a very nice Nechville banjo that was very well set up but just shy of everything that it could deliver in the tone/sound department. I think you will like it. Mr. Weitzel communicated via email, explained the different options available, and made the bridge to my specifications. I've put the 100 year old barn-wood one on and I am pretty impressed. She was 15 at the time. 1st string slot is a little wide but not bad. I just tried a new Douglas Fir Spillway Dam 5/8 std. One thing that stands out to me, though, from the general fact, is that bridges do NOT make HUGE differences on banjos; if someone says they do, then the size of the difference is really the apparent difference to the person, not the actual, quantifiable difference of the part. Could just be I got a turkey, a bad slice of wood, who knows, but I'm very disappointed in the one I purchased and cannot recommend that anyone else even try these out for size. The bridge had to be customized to match the radiussed fretboard of the banjo. I dont know what else to say but whoah. Until this point I had only ever used the stock bridges that came with my banjos. Although, as we already know, there is no one magical bridge that works on every banjo, but if you are looking for a bridge and still trying to dial in your tone, you should definitely give a Kat Eyz a try. I used a Moon bridge for many years, and the intonation was better than a straight bridge, but not adequate. I emailed Tim for a recommendation and he was quick torespond. Looks great, no buzzes, a fine piece of craftsmanship. I got in contact with David and found him to be very friendly, knowledgeable, and customer service oriented. To my great surprise, it was now right on the spot. My initial order to Bart was a for a 3/8" flat bridge but it was a hair too short and I got a little buzzing on the fret board on the D and G strings. Rather than sand the feet down on the existing bridge, I began looking to buy a shorter bridge. people learn more about others, just like Yelp does for Fantastic. It came with a old two foot Grover bridge that someone hand cut to accept the thicker Nylgut strings. I wrote in my review of 2014 that DC BANJOWORKScould be assured of my future business, well here we are in 2016, and I'll go one better: David can be assured of my business *everytime* I am in the market for a bridge. My banjo sounds awesome!! Since I had just interviewed John Bullard and he talked about the Purcell bridges that he likes, so I thought I would give that one a try. David is really nice to deal with and really helpful. Ive wanted one of Barts bridges for a while now, so I was curious to see what he might suggest for me. Tim Purcell Height Weight. I was doubtful because 1) I am a beginnerand 2) because my hearing is not what is was. I can "pull" out tones that are strong - or delicate - at will, without effort. Fourth sting is clean, crispand deep voiced, and theoverall sound has to be experienced! It arrived meticulously packaged and I installed it easily. It would prove to be a challenge. This is perhaps the bridge's only weakness. I can now add northern spirit radio to that list for adding to that. Steve made the bridge in a .656 with Crowe spacing. I ordered a mystery wood bridge from Bart. They sound great and Mike is a pleasure to work with. I have been following Tim and the F & F for sometime now from the UK. I hope and pray for their continued success in what I perceive as being not only a business but a calling. Note separation new tim purcell height changes that person 's banjo dramatically 've rarely taken it off my banjo still does sound... Began to work with had always been the hallmark of this banjo up when other! Have decently controlled touch, IMO this is the perfect bridge re-order them when I run (. 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